Superb fuzz from Fredric Effects and for me one of the best looking pedals around.

Here is what Fredric Effects say...

'The Fredric Effects Nouveau Super Unpleasant Companion is a combined Shin-Ei FY-2 and FY-6 Superfuzz clone in a custom enclosure which is slightly smaller than our Classic Super Unpleasant Companion. It features top-mounted jacks and has the controls on the front face.

The circuit is a faithful reproduction of both the FY-2 Companion Fuzz and FY-6 Superfuzz. Choose either with the big toggle switch and the controls are:

FY-2: Fuzztone, Volume
FY-6: Gain/Sustain, Volume, tone switch'

Highly tweakable pedal from Fredric Effects that can swing from fizzying revolting octave splatter with the ring switch to dense molten fuzz.

Here is what Fredric Effects say...

'The Utility Perkolator is our latest version of the fabled Interfax Harmonic Percolator from the 1970s. The Harmonic Percolator is a simple yet fascinating circuit which readily lends itself to tweaking and improvement. We already build a faithfully vintage correct version of the Harmonic Percolator, however the Utility Perkolator takes this  circuit in another direction. Using higher gain, lower leakage Russian Germanium transistors, and a low pass filter which only removes the high-end hisses and glitches associated with the HP, the Utility Perkolator has a considerably lower noise floor. The result is a tighter and more controllable effect which is still capable of producing the classic Harmonic Percolator sound.

We believe this is the best sounding Harmonic Percolator you can buy. In this new Utility Perkolator version we've added a switchable ring modulation circuit for splattery octave effects, and some DIP switches on the circuit board to remove the low pass filter if required.'

This Regent 150 from Fredric Effects definitely falls into the category of the 'always on' pedal. It adds a natural fullness / glassy treble (depending on settings) which you miss when it's switched off! This is not a pedal of drama but has the power to add a subtle solidity to the signal chain.

Here is what Fredric Effects say...

'The Fredric Effects Regent 150 Preamp is an accurate recreation of an obscure East German preamp, using a charge pump to match the voltage of the original ampifier and real NOS 40 year old East German transistors.

The Regent 150 Preamp uses the preamplifier and EQ circuit from the Vermona* Regent 150K amplifier of the 1970s, a staple of Eastern bloc rehearsal studios, stages and bedrooms. When first prototyping this circuit I'd expected an interesting lo-fi curio, something punky, scrappy or perhaps thin sounding, however the result has far surpassed expectations. The treble control adds a clean sound which is glassy and precise, and the boosted bass is warm without being flubby. Overall the effect also adds a little welcome compression. Use it as an EQ, boost, or just leave it on all the time because it sounds so good.

*Vermona is a trademark of HDB electronic GmbH'

Faithful klone of the mythological creature boost.

Here is what Fredric Effects say...

'Highly sought-after boutique overdrive. One of the finest and smallest klones you can buy. This is a 100% accurate electronic clone, with nothing added or removed from the original effect. So the buffer and charge pump circuitry are intact and it sounds great.'

This Squier is a mixture of a 2014 Pearl White Deluxe Squier Stratocaster body paired with a 1987/88 Squier Stratocaster neck. The neck also features Gotoh tuners and a slim neck profile. Plays great and with the addition of an Epiphone humbucking pickup at the neck has an excellent variety of sounds.

This Esprit is in great condition without much wear to speak of. Includes original Fret-King fitted bag.

Here is what Fret-King said...

'Quick Overview                          

Instantly recognisable, yet  radical, yet so familiar, the Fret-King Blue Label Esprit range is rooted in tradition but adds flair and innovation, offering a level of versatility which belies its looks.

With set-neck construction, mating three-piece mahogany bodies with 4” centre sections to one-piece mahogany necks, the Esprit is a solid platform to build your tone on. The distinctive reversed six-in-line peghead, asymmetric body, stepped front and signature pickguard all add up to a statement of style with real attitude. Esprit has substance too, with the Esprit 3 featuring three P90-style pickups, a 5-way selector switch and master volume and tone giving a hugely useable range of sounds.'

This excellent sample rate reducer from Fredric Effects can drop your guitar into a pixelated dreamscape.

Here is what Fredric Effects say...

'The BugCrusher is an Analogue Sample Rate Reducer - a Sample & Hold circuit run at audio rates - which produces aliasing effects on your signal.
With the Rate set high this imparts a clear fizzle & crunch, while at low rates any high frequencies will seem to wrap-around in an effect somewhat akin to a clean ring-mod.
Despite the name, the BugCrusher is not an actual BitCrusher - most BitCrusher effects will have Sample Rate (x-axis quantization) and Bit Depth (y-axis quantization) and are typically digital in nature.
Tom Bugs, the creator, says "Back when I was making BugCrushers, they were well liked for processing synths & drum machines, but the effect also has found favour with bassists as the low frequencies can pass through cleanly while the highs are crunched".' 

Superb lightweight Eric Johnson Signature Stratocaster in great condition (with the exception of a small ding on the lower horn - pictured). Includes original hard case and case accessories plus an additional Fender strap.

Here is what Fender say...

'Any guitarist who marvels at the breathtaking sonic artistry and peerlessly pure tone of Texas Strat® virtuoso Eric Johnson will also marvel at the Eric Johnson Stratocaster Maple guitar. Johnson is famously meticulous in crafting his tone, and every facet of the guitar is designed to Johnson's own detailed specs, from the specially voiced pickups to the extra-contoured neck and body to the distinctive tremolo assembly and much more. A refined signature model honoring one of modern music's finest Strat masters.

Features

• Light two-piece alder body with deep 1957-style body contours and cavities
• One-piece vintage-tint quartersawn maple neck (contours sanded very smooth) with ’57-style “soft V” contour
• 12”-radius maple fingerboard with 21 medium jumbo frets
• Specially voiced Eric Johnson single-coil pickups with countersunk screws and five-way switching
• Vintage-style  tremolo with silver-painted block,’57-style string recess, no paint  between base plate and block, and five springs (no tremolo cover)
• Master volume, neck tone and bridge tone controls'

This Gretsch Electromatic G5129 is in great condition, features an upgraded bridge / saddle and includes a Kinsman hard case.

Specs:

• Laminated Maple top, back, and sides
• Laminated Maple neck
  
• Gloss urethane Firebird Red finished arch-top top w/ f-holes
• Rosewood fingerboard
• 24.6" scale
• 22 frets
  
• Thumbnail position markers
• 1-11/16" nut width
  
• 2 x USA DeArmond 2000 single-coil pickups
• 2 x volume, master tone, master volume, and 3-way pickup selector
  
• Bigsby compensated bridge
• Bigsby B60 vibrato
  
• Vintage-style chrome machine heads
• Kinsman hard case
  

Here is what Cordoba say...

'23 Series ukuleles each feature a solid ovangkol top paired with ovangkol back and sides, rosewood bridge and fingerboard, mahogany neck, and ovangkol headstock veneer. Ovangkol ranges from rich orange to a darker brown in color, and is commonly streaked with gray, purple, or black for beautiful aesthetics. It’s tonally similar to rosewood, with a slightly fuller mid-range. The figure of ovangkol provides a gorgeous backdrop for the abalone rosette and Córdoba logo. Available in soprano (23S), Concert (23C), tenor (23T), tenor with cutaway and electronics (23T-CE), and baritone (23B).'

Excellent all-solid wood Dreadnought guitar from Tacoma. Features a solid spruce top, solid rosewood back & sides, mahogany neck, rosewood fingerboard & bridge, Gloss top with Satin back & sides and a Martin hard case.

In good condition with some bubbling on the headstock over the logo / back of the headstock.

A rarely seen acoustic guitar made in Canada by Garrison guitars founded by Chris Griffiths in the late '90s. Features the 'Griffiths Active Bracing System' a method of guitar construction that utilises a single unit brace combined all the acoustic guitar's top braces into a single unit to allow for resonance to have an uninterrupted path of travel throughout the instrument and provided enhanced structural stability. Includes Garrison hard case.